The Girls Heart Books blog tour for Ride of Your Life has begun! Even though it's not my most recent book, I decided to do a blog tour now in honor of the 30th anniversary of the Six Flags Great Adventure Haunted Castle Fire, which inspired the novel when I was still a teenager. The book tells the story of Tracy--a seventeen-year-old girl who died in the fire--and Josh--a seventeen-year-old boy who dies in an accident in the same theme park thirty years later.
Ride of Your Life won third prize in SmartWriter's Write It Now contest in the YA category, which was judged by Alex Flinn, the author of Beastly, Cloaked, and more. I hope you'll check it out.
Thursday, April 24, 2014
The Girls Heart Books blog tour for Ride of Your Life begins!
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Thursday, April 10, 2014
A Passover Miracle
This is my favorite Passover story, one about a real miracle that happened in my mother's family when she was just a girl. I hope you like it, too.
My mother, Tova Hacohen, was twelve years old in 1948, the year of Israel's War of Independence.
Before the British even left, Arabic forces surrounded the city of Jerusalem on all sides and laid siege to it. Brave Jewish men lost their lives attempting to bring truckloads of food from the Tel Aviv area to Jerusalem's residents. What little there was had to be rationed, and it wasn't even safe to venture out for the rationed food. Jewish men had to walk with their backs pressed up against the walls of buildings so they would be harder for the snipers to spot, and sometimes fathers lost their lives while trying to bring home something for their hungry children to eat.
Tova's family--all eight of them, not counting her eldest brother Shmuel who was married and lived near Tel Aviv--got only one loaf of bread a day, a little
bit of beans or peas, and a small amount of flour. Because they had small
children, they got powdered milk too.
“Drink, drink,” her Imma said.
“I don’t want it, if you can’t have, too,” young Tova replied.
But her Imma would not
hear of it. She didn’t care if she didn’t have enough food. The only things that mattered were
her children. They always came first.
That year before Passover, the
Ashkenazi rabbis permitted Ashkenazi Jews in Jerusalem to eat Kitniyot, like peas
or beans, during the holiday. The rabbis didn’t want anyone to starve because they
were trying to keep the Ashkenazi tradition for Passover, which forbids eating legumes. Tova’s family
expected to eat only peas, matzo, and a little wine or grape juice over the
holiday. It wasn't much, but at least they could try to celebrate the holiday.
Then they got a surprise.
Tova’s eldest brother, Shmuel, sent the
family a gift.
Shmuel was a member of the Hagannah, which would
soon become the army of the new Jewish state. Shmuel found out who was going to attempt to bring food to Jerusalem, and he asked this brave man to help bring something special to his family. Miraculously, that
truck made it through. Tova's family received handmade matzos, a few
apples and nuts for making Charoset, and--wonders of wonders--a crate with over a hundred
eggs!
Eggs! It was something they hadn't had a chance to eat in a very, very long time.
A few years before she died, my mother took her grandchildren to the house where she grew up, so they could see it and learn the stories of her childhood. The man she's talking to now lives in the neighborhood. They each know a part of the story, and they are filling each other in.
Everyone looked
forward to it. Family and guests crowded around the dining
table on the night of the Seder. Tova's Abba, who was a rabbi, had invited a group of his students, and
they were in high spirits. Shmuel’s brother-in-law, Ze’ev, who was also
studying in Jerusalem ,
came too.
There was talking,
and learning, and singing. They drank wine and grape juice. They ate matzos,
Charoset, eggs, and peas. It wasn’t much, but for them at that time it was a
feast. And despite how little they had, the family was more than happy to share it with their guests.
When the meal was
over, Abba’s students sang the rest of the Haggadah. They wanted to do as the
rabbis of old did: they wanted to make the Seder last until the sun came up.
But there was shooting outside.
“Imma!” Tova's sister Yehudit
cried.
“Yes, I heard that
too,” Imma said. “We should go down to Savta’s room." Tova's Savta slept in a room on the ground floor. "It’s safer.”
“No, no!” one of
the students shouted. “It’s Passover. We should sing!”
And sing they did.
And as their singing grew louder, so did the gunfire outside. And as the
gunfire grew louder, so did their singing!
“Abba!” Tova
shouted. “Please can we go downstairs?”
Then came a loud “BANG!”
Everyone froze. It sounded like a
bullet had entered the room.
“Enough singing!”
Abba cried. “Imma, get the baby.”
Baby Rama had been
sleeping soundly when Imma picked her up from her crib. Tova rushed after little sister Sarah
to Savta Bat-Sheva’s room on the ground floor. Yehudit followed them. Tova's older brother Menachem went downstairs
with the students. Imma carried baby Rama down with Savta Bat-Sheva at her
side. Abba came last to make sure everyone was out of harm's way.
The precious crate
of eggs was already there. After all, these eggs were a great treasure for them at this time, and Savta Bat-Sheva's room was the safest room in the house.
It wasn’t the
first time Tova had heard shooting. But this time was different. It seemed to
go on forever. And as time wore on, Tova grew tired. Soon she and her sisters were
fast asleep. One at a time, the others joined them in slumber.
In the middle of
the night, however, she awoke to a strange sound.
Crack. Plop.
Crack. Plop.
Over and over it
went.
Crack. Plop.
Crack. Plop.
Tova sat up.
The
strange sound was coming from the corner where the crate of eggs sat. In the
weak light, she saw her baby sister with a big pot. Little Rama’s hand came
down with something in it on the edge of the pot. Crack. Then she put the thing
in her hand in the pot. Plop. Rama laughed and clapped. Tova gasped when she realized
what the sound was.
Oh, no.
“The eggs!” she
cried. “Imma! Imma! The eggs!”
“What?” Imma said,
still half asleep. “What about the eggs?”
“Rama broke them!”
Tova and Imma looked
inside the pot. It was filled with eggs and eggshells. Imma checked the crate.
Out of more than a hundred eggs, only eight whole eggs were left.
“What are we going
to do?” Tova asked. “The eggs will spoil.”
Imma shrugged. “So we won’t have eggs for the
whole week of Passover.”
“But we can’t cook
them today,” Tova said. “It’s Shabbat.”
“So after Shabbat
we’ll have eggs,” Imma said. “Lots and lots of eggs.”
After sunrise the
family went back upstairs. Imma put Rama in her crib. There she found a
surprise.
“Look, look!” Imma
cried. “It’s a miracle!”
Tova looked.
There--very
close to where Rama’s head always rested when she was asleep--was a bullet.
“It’s the bullet
we heard last night during the Seder,” Tova's older brother Pinchas said.
“It’s a miracle
she wasn’t hurt,” Abba said. “A Passover miracle.”
The story of what
happened quickly spread through the neighborhood. With it spread the invitation
to join the family for a breakfast of scrambled eggs on Sunday morning.
There was nothing
to light a stove with, so that Sunday morning they made a bonfire. Neighbors brought wooden boards.
Some also brought their rationed oil. Everyone brought plates and forks to eat
with. They stood in line and waited to get a delicious, warm breakfast of
scrambled eggs. Abba took a picture for the newspaper he edited.
People thanked Tova's Imma, but she laughed and pointed at baby Rama. "Don't thank me. Thank the cook!"
Here's wishing you and your family a safe, happy, and healthy Passover.
Thursday, March 27, 2014
Have a character but no plot? Three easy steps you can use to make one
If you have an idea for a character but don't know what to do with it, here are three easy steps that will help you create a great story:
1. find out what your main character wants most and make him/her want it or need it more and more.
2. find something that prevents him/her from getting that thing and make the obstacle bigger and more urgent (it can be internal, another character, or the world your character is in).
3. bring the conflict to a head until the character resolves it by getting what he/she wants, letting go of what he/she wants (and possibly getting something better in return), or coming to accept being without the thing he/she originally wanted.
A plot can have several steps, so your main character can start out wanting one thing, get it, and then want something else. For example, in The Cat in the Hat, the main characters ("me and Sally") want something to relieve their boredom until they get it; then they want to avoid getting in trouble.
These three steps have infinite possibilities depending on the main character(s), other characters, setting, style, and want/need.
If you have an idea for a plot but not a main character, you can easily turn that plot into a main character, too: whatever the objective of the main character in a plot is supposed to be, create a character who is strongly motivated to achieve that objective. Create other characters who are strongly motivated to stop the main character from achieving that objective. For example, some of the people who are motivated to solve a crime are a detective, a reporter, the accused, the victim, and the likely next target. Notice that the more motivated the character is to achieve the objective, the more compelling the story becomes.
1. find out what your main character wants most and make him/her want it or need it more and more.
2. find something that prevents him/her from getting that thing and make the obstacle bigger and more urgent (it can be internal, another character, or the world your character is in).
3. bring the conflict to a head until the character resolves it by getting what he/she wants, letting go of what he/she wants (and possibly getting something better in return), or coming to accept being without the thing he/she originally wanted.
A plot can have several steps, so your main character can start out wanting one thing, get it, and then want something else. For example, in The Cat in the Hat, the main characters ("me and Sally") want something to relieve their boredom until they get it; then they want to avoid getting in trouble.
These three steps have infinite possibilities depending on the main character(s), other characters, setting, style, and want/need.
If you have an idea for a plot but not a main character, you can easily turn that plot into a main character, too: whatever the objective of the main character in a plot is supposed to be, create a character who is strongly motivated to achieve that objective. Create other characters who are strongly motivated to stop the main character from achieving that objective. For example, some of the people who are motivated to solve a crime are a detective, a reporter, the accused, the victim, and the likely next target. Notice that the more motivated the character is to achieve the objective, the more compelling the story becomes.
Tuesday, March 18, 2014
It will be 30 years this May since the Six Flags Great Adventure Haunted Castle fire that killed eight teenagers. I started writing my YA romantic ghost story, Ride of Your Life, when I was just 19 in an effort to give this tragedy a happy ending. Please join me on my Girls <3 Books Blog Tour to help promote this book, which I will be putting on sale for $0.99 this May. Thank you!
Friday, March 14, 2014
Two Purim Stories
Purim is my favorite holiday.
I love the costumes, reading the story of how Esther and
Mordechai saved the Jewish people, the joy and noise in the synagogue, the
festive meal, and giving out baskets of goodies. It’s a chance for me to
express my creativity, and it’s just plain fun!
It’s traditional for children to dress up in costumes on
Purim, but this tradition takes an odd and humorous twist in the story of my
grandparents’ courtship in Jerusalem in the mid-1920s.
My grandmother fell in love with my grandfather when she was
just fifteen. They lived on opposite sides of the same apartment complex, and
they sent each other love letters that they pinned to a clothesline that
stretched from one side of the complex to the other. It was all very romantic
and not at all proper for the son and daughter of two distinguished orthodox
rabbis.
Of course, if you read my previous post, you already know
that when Rivka Schorr wanted something, Rivka Schorr did not let anything get
in her way. The fathers sat down, and the marriage was arranged.
The wedding was a few months away, and it was a Jewish
Jerusalem tradition for a girl to give her fiancé gifts on each of the holidays
that took place between the engagement and the wedding. Young Rivka looked
forward to Purim. She was going to give her beloved the perfect Mishlo’ach Manot.
She had even hand crocheted the cloth that covered the tray of homemade foods.
![]() |
One of my homemade Purim baskets with a garden theme. The Megillah printed scroll came with a story I wrote about Queen Esther asking a bee and a butterfly in the king's garden for advice. |
It’s traditional to have someone else deliver Mishlo’ach
Manot for you, but on this particular Purim something very strange happened in
Jerusalem: it snowed. This put young Rivka in a bind. No one would agree to
deliver the gift to her fiancé for her. And she couldn’t do it herself, could
she? It wouldn’t be proper to visit her fiancé’s house. Oh, no.
But this was Rivka Schorr. And when Rivka Schorr wanted
something, Rivka Schorr did not let anything get in her way.
So Rivka decided to deliver the Mishlo’ach Manot herself . . . disguised
as an Arabic man!
At first Rivka had thought that she had managed to pull it
off, but it turned out that she had pulled it off a little too well.
The Mishlo’ach Manot included a bottle of wine, and kosher
wine can only be served by a Jew. If it isn’t, it becomes unkosher. My
grandfather’s father became so enraged at the thought that a non-Jew had
handled it that he poured the wine out and called the wedding off!
Of course, Rivka wasn’t going to let that get in the way of
her marrying her beloved. She spoke to her father, who spoke to my grandfather’s
father, and everything was straightened out.
Now, this is a great story, and I hate to piggyback on it, but there is another great Purim story that I want to tell you.
My parents lived in an ultra-orthodox and mostly
English-speaking neighborhood in Jerusalem. I didn’t like being there on Purim,
because the neighbors would often get very drunk.
There is a Purim tradition of drinking until you don’t know
the difference between blessing Mordechai and cursing Haman. The members of my
family have never been big on drinking. My dad, for example, has been known to
mix sweetener in semi dry wine. We just don’t like the stuff. But my parents’
neighbors on Purim, oh, boy, do they like to drink! Driving becomes scary
because of people stumbling in front of your car. And people bang on your door,
because they want to sing and dance for you, loudly and badly.
So this is the story that my mother used to love to tell. It
would make her laugh so hard that it would bring tears to her eyes.
My parents’ apartment is on the first floor of a very tall
building, and it has a huge balcony. Huge! The apartments above theirs have
much smaller balconies.
Well, as I said, this is an English speaking neighborhood,
so when people get dressed up for Purim, they’re more likely to choose the
kinds of costumes you might see people wear in the United States for Halloween.
Not revealing or scary costumes, but costumes that relate American culture.
So this one Purim, my family is about to sit down for the festive meal. All of a sudden my mom sees something dark and big zooming past the glass door that leads to the balcony, and everyone hears a loud bang. She rushes to the balcony to find out what it is and slides the door open.
There’s a man on the balcony. He jumps to his feet, and she sees he’s dressed as Batman! BATMAN! An ultra-orthodox Jewish Batman!
And he is drunk. So drunk he has no idea he just fell two
stories and is lucky to be standing at all. He sees the open door, rushes past
her with his black cape flying behind him, rushes past my dad who cannot
believe what he’s seeing, leaves the apartment, and heads back upstairs.
And that is my mom’s funny story about how Batman literally crashed her Purim feast.
Every year I hand out creative Mishlo’ach Manot baskets. One
year, I created a booklet about “Winnie the Pooh-rim.” Another year I made
bento boxes with a flower and garden design. Yet another year I created an
Alice in Wonderland picnic. This year, however, I’m not allowed to give more
than one Mishlo’ach Manot, because my mother passed away in December, and my
daughter will be handling the Mishlo’ach Manot instead. Still, I hope you have
a wonderful Purim. It is my favorite holiday, and that’s something I can’t
disguise.
Labels:
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Wednesday, March 12, 2014
Educating Rivka
If you are one of my siblings or
one of my cousins on my mother’s side, and I say that I’m about to tell you the
story of Savtah Rivka, the white lace gloves, and the white lace parasol, you’re
probably already smiling. It is, after all, a beautiful story that perfectly
captures the force of nature that was my grandmother.
Rivka Schorr was born in Jerusalem
in the early 1910s, at a time when the Turkish Ottoman Empire stretched over three
continents with Jerusalem more or less at the center. World War I raged when
she was still a little girl, and when the war was over, and Western Europe had won,
the victors broke the Empire apart into numerous new countries. The area of
land that the Romans had called Palestine was handed over to the British, and
in 1917 the Balfour Declaration vowed that Palestine would become a homeland
for the Jews.
Young Rivka Schorr grew up mostly
under British rule, and she was still a little girl when the British divided
Palestine into two parts. The larger part to the east of the Jordan River was
given to a sheikh to create the Hashemite Kingdom of Transjordan. The third to
the west of the Jordan River was still promised to the Jews, and she grew up
with the hope of seeing that dream become a reality.
Rivka was the daughter of a
respected orthodox rabbi, who was also a newspaper editor. She was not my great-grandparents
firstborn. She was the youngest. But she was the only one to survive past
infancy. Naturally, her parents doted on her.
I don’t know how old she was at the
time of this story. My guess is that she was probably twelve or thirteen. Both of my grandmothers grew up in Batei Machaseh, apartments that were built to house Jewish families outside the walls of Jerusalem's Old City, so this is where the story takes place.
![]() |
Photo from VirtualJerusalem.com of Batei Machaseh http://www.virtualjerusalem.com/holidays/JerusalemDay/rothsch.jpg |
Young Rivka had the proper upbringing for
an Orthodox Rabbi’s daughter at the time, which meant she didn’t go to school.
There was, as far as I can tell, only one school in the world for Orthodox
Jewish school for girls—Bais Yaaakov—and it was very new and very far away in Poland. Orthodox Jewish
boys in Jerusalem went to yeshiva, but orthodox Jewish girls were expected to be
educated at home by their mothers, governesses or tutors.
This, however, didn’t suit headstrong
Rivka Schorr.
Rivka was determined to go to a real school, never mind what was
expected of a rabbi’s daughter!
The Evelina de Rothschild school
for girls in Jerusalem had a required uniform. Rivka couldn’t ask her parents
to buy what she needed. Oh, no. They never would have agreed. So she wrote to a
cousin in Austria, and asked him to secretly send her a white lace parasol and
a white lace pair of gloves. She took them to a hotel in what today is the
Armenian Quarter in Jerusalem’s Old City. The hotel belonged to a Jewish woman
who later became the grandmother of my writer cousin Emuna Elon’s husband, former
Israeli Member of Parliament, Rabbi Binyamin Elon. The hotel’s owner agreed to
hold on to the parasol and gloves so that Rivka could pick them up on her
way to school.
I imagine young Rivka was very
proud of herself, sneaking out behind her parents’ backs, conspiring with her
European cousin and with the owner of the hotel, and attending school where no
one knew that her parents would have disapproved if only they had known what she was up to.
Unfortunately, however, she couldn’t
fool everyone.
Somehow the Maggid, the old Jewish
version of the town crier, found out, and he was determined to make sure that everyone heard about it.
One day the Maggid marched back and
forth in front of the family’s house and cried over and over, “What can be said
of the shepherd that lets his own sheep wander?”
My great-grandfather poked his head
out the window and asked, “What’s this about?”
The Maggid told him. My great-grandfather was so embarrassed. And young
Rivka Schorr’s secret was a secret no longer.
I wish I could say the story has a
happier ending, that my Savtah’s father hadn’t bowed to the expectations of
orthodox Jewish society in Jerusalem at the time. But he did. Rivka wasn’t
punished, of course. Her parents doted on her too much for that. Instead her
father expressed his disappointment and told her he would find tutors for her
in any subject she wished to study. And he kept that promise.
My grandmother was brilliant and well educated.
While her mother could only speak Yiddish, my grandmother learned to converse in
Yiddish, Hebrew, Arabic, Ladino, and three other languages. She made friends
everywhere she went, and when she got old and it was time for her to move into a nursing home,
she was surprised to discover she already knew most of the residents. The women joyfully cried, "Rivka!" and welcomed her with hugs.
Still, I love to picture my Savtah as a young girl with white lace gloves and a white lace parasol secretly
walking to school in Jerusalem, a young girl determined to get an education who
would not let society’s expectations stand in her way.
Labels:
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Saturday, March 01, 2014
Blessed by Scandal
Picture a young woman nineteen years old standing on the
deck of a ship, sometime about 1900. She is on a journey to a land both strange
and familiar, the land of her ancient ancestors. Her black dress stretches down
to her black shoes, and the lace apron that clings to the top of her dress is
something she crocheted with her own nimble fingers. In one hand, she clutches
a prayer book. The other pushes her glasses higher up on the bridge of her
nose. She brushes back a wisp of hair pulled loose by the wind. She has a sharp
mind, a quick wit, and a surprisingly strong sense of irony for someone so young.
She is leaving safety and comfort of the only world she has ever known, and she
is heading for a new one fraught with peril. She is on a journey to prove to
those she left behind that they are wrong about her. There is a prayer on her
lips and hope in her heart.
This is my great-grandmother Bat-Sheva, a rabbi’s daughter
and, through no fault of her own, a young divorcee.
She is on a journey from Poland to Jerusalem, the city where
one of her ancestors—the woman whose name has been passed down in her family
for thousands of years—was once a queen. Now it is under strict Ottoman rule,
as it has been for centuries, but that will change in a few years. Soon she
will be a witness to history. But on
this day she thinks about her tarnished reputation, and still she holds her
head high.
It wasn't her choice to get divorced. It wasn't even her
choice to get married, not exactly. She was a rabbi’s daughter from Poland. He was a rabbi’s
son from Austria. They were from two of the most respected rabbinical families in Europe.
Everyone had agreed that it was a good match.
A year later, however, her groom changed his mind. He demanded a
divorce, claiming that she was barren. How could he stay married to this girl,
if she couldn't bear him any children? What would become of his illustrious
family line with no one to follow him? And so a divorce was granted. And so the
rumors began. Bat-Sheva wasn't fit to be a wife. She couldn't have children.
But she knew something others did not, and in her old age
she would joke about it with her many friends. “How could I have had children
with him?” she asked. “We never shared a bed. It would have been a miracle!”
At nineteen years old, though, my great-grandmother could
share her secret with no one. After all, who would believe that a rabbi's son
would not sleep with his wife for an entire year? The Torah demands it. Nature,
for most men, demands it. So what sort of man would not fulfill this mitzvah?
She couldn't simply tell people the truth. No one would believe her. She had to
prove she was not the barren girl her husband had claimed.
But she was a rabbi's daughter. She couldn't marry just
anyone. And no rabbi wanted his son to marry a barren woman. People talked in two countries and in every country in between.
Everyone knew the rumors. But only she knew the truth.
As luck would have it, she wasn't alone.
In another part of Europe, there was a rabbi's son
whose reputation had been similarly tarnished.
My great-grandfather's first wife had “decided to become
nonreligious,” which was a common euphemism in the orthodox Jewish world to
describe a woman who had run off with another man. Of course, you can imagine
the gossip. No rabbi wanted his daughter to become this young rabbi's second
wife.
My great-grandmother and great-grandfather found out about
each other, probably through a matchmaker. It was decided that the best course
of action would be for both of them to start over in a place where they had no
reputations, a place where they would be wanted, a place like Jerusalem.
![]() |
Holocaust survivors attempting to get into British Mandate Palestine with the Exodus in the background on July 18, 1947. (The Palmach Archive vis PikiWiki) My great-grandmother Bat-Sheva arrived when the land of Israel was still under Ottoman rule about fifty years earlier. |
People sometimes think I'm brave, because I’m raising
autistic son. I think I am about as brave as the great-grandmother I am named
after. I am brave through lack of choice. What other choice do I have? What
other choice did she have? She could have let the lies and the gossip destroy
her, or she could try to fix the situation. And so she uprooted herself and set
out on a journey to fix it.
I've learned three lessons from my great-grandmother’s
story.
First, we shouldn't judge and we shouldn't gossip. No one
truly knows what goes on in a marriage, except for the two people involved.
Some of my friends have gotten divorced, and I’ve seen their friends take sides
and play the blame game. “Whose fault was it?” they say. “I don’t want to take
sides, but it was definitely . . .”
I don't want to hear it. They don't know the whole story;
and until they do, they have no right to judge. If they are truly my friends, I
will support them both.
Second, people who love each other should be together, and
people who don't love each other shouldn't. Why is this so difficult for some
people to understand? I don’t know why my great-grandmother’s first husband never
shared a bed with her, but clearly he didn't love her the way a husband should
love his wife. Perhaps he loved someone else, and perhaps societal pressures
prevented the two of them from being together. We all deserve love. We all
deserve to be happy. And when two people are denied that, the unhappiness it
causes ripples out into the world. Love is hard enough to find, and there's
nothing we want more. Who are we to deny it to two people who are fortunate
enough to have found it in each other?
And finally, I learned that sometimes bad things happen for
a reason. Perhaps it was not enough for my great-grandparents to get married, so
they could have my grandmother Rivka. Perhaps it was necessary for both of them
to suffer from gossip in Europe so that when they married and started a family,
it would be in Jerusalem. My great-grandmother saw the Ottoman Empire replaced by the British Empire, and she saw the British Empire give way to the Jewish state. If she had stayed in Poland or Austria . . .
At nineteen, my great-grandmother stood on the deck of a
ship, with a prayer book in her hand and something to prove. And soon her
prayers were answered.
Labels:
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Thursday, February 20, 2014
How to Advertise on Facebook for $1 a Day: 9 Tips
YouTube
science channel Veritasium made a video that shows that buying Facebook ads
based on likes doesn't work. Click farms will like your page
without really liking your page, and that means you're paying for likes you
don't want. That's true.
But as I
explained to my Facebook friends, there’s another way to advertise on Facebook
that will let you circumvent click farm tactics, a way that can target
thousands of potential customers and that costs less than a dollar a day.
My
friends asked, “How?” I made this video to explain.
There are
four basic steps:
1. Be human. Have a
Facebook profile, and try to develop a good relationship with your customers,
your potential customers, and anyone who is likely to like you or whatever it is you do.
Granted, this probably isn't going to work for some ginormous company, but some
ginormous company probably isn't going to worry about click farms biting into
their advertising budget.
2. Don't advertise for likes. Duh! Facebook gives you
other options, so choose one of the other options.
3. Limit your reach. I
limit advertising so it only goes to the friends of people who like my page. Now you're
probably thinking, “But that includes friends of people from click farms.”
Yeah… People from click farms don't have friends, so that’s not something I'd
worry about. If you like your own page, your ads will go to your Facebook
friends. And if they like your page,
it will go to their friends. If you
have a small business in a small town, you can do something similar by limiting
advertising to your small town and its neighbors.
4. Put something in the Interests field.
One book reviewer said that anyone who likes The Big Bang Theory is sure to like my funny, geeky sci-fi novel, Why My Love Life Sucks, so I put that in
Interests. Even if a click farm guy has a friend, that friend isn’t going to
see my ad unless he or she has also liked The
Big Bang Theory, and what are the odds of that?
![]() |
Screen grab from my Facebook page's Ad Manager showing how I've limited the reach of my ads to the people most likely to be interested in them |
So that’s
it. You've circumvented those click farm tactics.
Now here
are five more tips:
1. Base Facebook ads on your "latest
post." This keeps things fresh and lets you try out different
things.
2. Don't sell. Inform,
help, entertain, ask fun or interesting questions, provide worthwhile content, but
don't sell. Okay, maybe once every ten posts or so, but 90% of your posts
shouldn’t involve selling.
3. Post visual stuff, and post
often. people on Facebook love to see videos, photos, drawings, and
that sort of thing, particularly if they relate to real people like themselves--and
like you! Posting often means you're less likely to bore your friends and your friends’
friends. I try to post at least once a day, but I really should post more
often. Eight times a day would be better. Also, when it comes to words, remember brevity is…
![]() |
A few words, a nerdalicious face (Gilbert Garfinkle, the geeky hero of Why My Love Life Sucks), some humor, and good targeting make for a promising ad. |
4. Ask
your friends for likes. Make friends on Facebook and ask them nicely to like your page. This will expand your
reach to your friends’ and your friends’ friends. I'm shy, so it took me a while to get around to doing this. When I finally did, I was surprised to see the likes on my page go up from 305 to almost 500. Yes! They like me, they really like me!
5. Like
yourself first. Use your Facebook profile to like, comment, and share the
posts on your page. The more people interact with your posts, the more the ad connected
with that post will get seen. So be one of the people who interacts with your
posts.
As for
how to keep your budget under $1 a day, set your ad to “bid for impressions.”
Click farms can manipulate clicks and likes, but they can’t manipulate impressions.
Facebook will suggest a
bid. Mine are usually around 10 cents for a thousand impressions, so setting my
budget for a $1 a day gets me up to 10,000 impressions. And it only costs me $1!
![]() |
Even with a limited reach, this ad was clicked on six times--and it only cost $0.89. |
If that sounds like a good deal, give it a try. And good
luck!
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Monday, February 17, 2014
Veritasium's Facebook Fraud video
This video has been making the rounds on Facebook, and what it says is true: most of the likes on Facebook pages are fake.
But this doesn't mean you shouldn't advertise on Facebook. Facebook offers one of the most cost effective methods of advertising online. It's cheap, can be targeted to a specific audience, and it can work. The trick is to use it in a way that doesn't waste your money pursuing likes that aren't going to help you.
But this doesn't mean you shouldn't advertise on Facebook. Facebook offers one of the most cost effective methods of advertising online. It's cheap, can be targeted to a specific audience, and it can work. The trick is to use it in a way that doesn't waste your money pursuing likes that aren't going to help you.
This is the original video by Veritasium. Right now I'm working on my next post, which will explain how you can make Facebook ads work for you for no more than a dollar a day. It's a method I figured out through trial and error, a method that shows my ads to a very specific audience of up to 33,000 people, for one dollar or less per day. It works for me as a writer and indie publisher, and it can be adapted to work for any indie author, published author, and just about any small business.
Wednesday, January 29, 2014
Monday, January 27, 2014
Bathsheba’s Daughters: Our Story Begins With an Open Window and a Fall
There’s an odd similarity between the earliest story
told about the great-grandmother I’m named after and the earliest story my parents
used to tell about me: both involve an open window and a fall.
I’ve already told you about my mother’s earliest
memory, how her grandmother held her hand and ran home with her from a pogrom
in Jerusalem. I don’t know what my grandmother’s earliest memory or story was,
although I do know several fascinating tales from her childhood and teen years
that I plan to tell you in another post. The earliest story told about my
great-grandmother, however, is so remarkable that it became a part of our
family’s legacy.
My great-grandmother was named Bat-Sheva, a name
that has been passed down in our family going all the way back to the biblical
Queen Bat-Sheva, my royal ancestor and original namesake, the wife of King
David and the mother of King Solomon.
My great-grandmother was born in Poland sometime in
the 1870s. At the time of this story she was still a toddler, only two or three
years old. Her father was a rabbi who also edited a newspaper, making him the
first newspaper writer of five generations of newspaper writers in my family,
ending with me (unless, somehow, my daughter carries on that legacy or marries a
journalist).
I don’t know much about where they specifically
lived, although I do know it was in a building that was at least three-stories
high, so I have to guess it was a city. I know it was three-stories high,
because that’s an important part of the story.
One day when my great-grandmother was just two or
three years old, she climbed up to an open window on the third floor and fell
out.
Her father saw her.
He saw his precious little daughter fall out of that
third-story window, and there was nothing he could do to stop it.
Naturally, he was terrified.
She was just a baby, and it was such a great fall.
How could she possibly survive? He had to get down to her as quickly as possible,
and he couldn’t waste a second running to the window. Instead, he ran out of
the room and raced down the stairs.
He could hear his feet pounding with each step he
took. He could hear his heart beating hard and fast with fear in his chest. But
he couldn’t hear his daughter. She wasn’t screaming, wasn’t crying.
He called out her name, “Shevaleh! Shevaleh!”
But there was no response.
His precious little girl had fallen out of a
third-story window, and she hadn’t made a sound. Why hadn’t she cried out? Why
wasn’t she crying now? Why didn’t she answer him?
His mind, of course, came to the only logical
conclusion. She wasn’t crying because the fall had knocked her unconscious. Or
worse. It had killed her. He prayed to God that he was wrong.
He raced as quickly as he could to the ground
beneath the open window.
And he could not believe his eyes.
There was his precious little girl, standing up, not
a hair out of place, looking as if nothing at all had happened to her.
He scooped her up in his shaking hands.
“Shevaleh,” he asked, “what happened?”
“Zayde carried me down the stairs,” she replied, as
if it was nothing out of the ordinary.
But it was
out of the ordinary. In fact, it was
impossible. Not only were there no stairs out of the window, but his daughter’s
Zayde, her grandfather, had died two weeks earlier.
Her father was so astounded by this miracle, he had
the story printed up in Yiddish, and he posted notices about it everywhere he
could. I once saw a photo of that notice, and I would publish it here if I
could find a copy of that photo.
You might wonder if I believe this story.
I can’t say that I do, but I do believe that my
great-great-grandfather believed it with all his heart, so I don’t disbelieve
it either. Like with most things that can’t be proven, I try to keep an open
mind.
When I wrote Rideof Your Life—a novel about teenage ghosts falling in love in an amusement
park—I treated it as a fantasy. However, as I do with all my novels, I still wanted
it to make the most sense that it possibly could. It seems to me that if ghosts do exist, they
must be like the people they were when they were still alive. My great-grandmother’s
Zayde was a good man who would have saved his granddaughter if he could.
Perhaps he did. I don’t know. I suppose it’s comforting to think he did, and that
comforting feeling is something I tried to convey in Ride of Your Life. The afterlife is unknown, but that doesn’t mean
it’s scary.
As I said, the earliest story my mother used to tell
about me also involves a fall and an open window. Unlike my great-grandmother
Bat-Sheva’s tale, however, there’s nothing even remotely miraculous or
other-worldly about it. In fact, it’s kind of funny, which I guess is fitting.
It is, after all, about me.
A few weeks before I was born, my parents flew to
Israel with my sister, Eliedaat. My mother lied to get on the plane, because it
was against the rules for a woman to fly in the ninth month of pregnancy. They
went to visit my extended family, particularly my mother’s parents and
siblings.
At some time during the trip, my grandfather commented
about my sister: “You could draw a
little circle around that baby, walk away, come back an hour later, and still
find her in that circle.”
My parents agreed. My sister, who was eleven months
old, was a natural born sitter. A natural born stay-in-placer. If you wanted to
find a baby to pose for an oil painting, this was your girl! She could sit for
hours and hours and not move.
Understandably, this led to a false sense of security.
Enter me.
I was born days after my parents and sister returned
from Israel, two weeks and two days before my sister’s first birthday. On the
day I was brought home from the hospital, my father took me upstairs to the
only bedroom in the house they were renting and laid me down on a bed. It was a
hot summer day, and the window was open.
He thought, “This is safe. She’s a newborn baby, so
she couldn’t possibly move.”
Yeah, right.
I was not my sister.
He left the room, I’m guessing to check on my mom
and my sister. And when he came back, I was nowhere to be seen.
And the window was open.
Now, I know this doesn’t make any sense. I can’t
even imagine a scenario where this might make sense. But for some reason the
way my father tells this story is that he thought I had fallen out of the
window.
I guess when you’re confronted with the realization
that your assumption about your newborn being unable to move turns out to be
false, you start to question the exact degree to which it is false. If your newborn
can, in fact, move, who’s to say she can’t also climb windowsills? Or jump out
of windowsills? Or fly? Or perhaps he knew the story about my namesake falling
out of a window, and his mind played the most bizarre version of “connect the
dots” anyone’s mind has ever played.
Of course, I hadn’t fallen out the window.
There was no miracle, ghost, or magic involved. I
hadn’t disappeared. A short while later, my loud screams made it clear that I
had merely fallen off the bed and had jammed between the bed and the wall.
To my father, though, this was almost as astounding
as it would have been if I had
disappeared.
Here was a newborn who could move a heck of a lot
more than his almost one-year-old daughter. I couldn’t just move a little. I
could move a couple feet right off of a bed. And I was only a few days old.
Over the coming months, my ability to move astounded
both my parents over and over. You would think they’d have learned their lesson
after that first time, but no. They didn’t.
One of the funniest stories my mother used to tell about
me is how when I was a few months old, she put me in one of those baby carrier
seats on a counter in a store. She left me alone for a second, just a second.
Next thing she knew, I was crying, because I had flipped the seat over and was
crawling around on the counter with the seat strapped to my back, like I was a
turtle and the seat was a turtle shell I didn’t really like.
Through the years, I’ve tried to find similarities
between myself and the great-grandmother I’m named after, and there are a few.
I found out during my mother’s Shiva, for example, that my great-grandmother
loved games. Someone told me she kept a chess set in a green plastic basket
under her bed and would take it out to play chess with him when he was a little
boy. But although I love games in general, I don’t like chess. I’ve also heard
she loved to read and was usually found with a book in her hand. But she read
mostly religious books, and I read mostly nonfiction, humor, fantasy, and
science fiction. And several people have told me I’ve inherited her artistic
and creative side. But I write and draw, and she expressed her artistic and
creative side by sewing and crocheting, which are two things I can’t do at all.
But we do share a name and stories that start with
an open window and a fall.
Monday, January 13, 2014
Bathsheba's Daughters: Memory Dominos
Memories are like dominoes, all in a line. One thing
in the now pushes a single memory and sets it into action. That memory pushes
another, which pushes another, and so on.
Last Sunday, my mother’s headstone was revealed, a Jewish ceremony that in Israel usually takes place 30 days after the funeral. I
wasn’t there to see it, but my niece, Rinat, posted this photo on Facebook.
![]() |
My mother's gravestone. (Photo by Rinat Adler Horesh, 2014) |
Rinat
wrote, “"I don't believe 30 days have
passed. It's hard to describe in a few words such an amazing person—a true
woman of valor, full of life's joy, a saint by her own deeds and her ancestors',
and simply a mother and grandmother to everyone! We so very love and miss our
darling grandmother.”
The photo was a little push in the now. It set off a
memory domino, which set off another memory domino, which reminded me of the reason why I decided
I needed to write Bathsheba’s Daughters
so many years ago.
My mother was buried on the Mount of Olives, as were
her parents. My grandmother Rivka’s father and her grandparents were also buried
there, but her mother—my great-grandmother Bat-Sheva, whom I’m named after—died in
1964, when the Mount of Olives was in Jordanian hands, so she was buried somewhere
else in Jerusalem.
The photo set the memory of my mother’s funeral, a little over 30 days ago, into action, which set off the memory of my grandmother’s
funeral, about 14 years ago.
I remember sitting in the backseat of a car driving
up to the Mount of Olives.
My grandmother had died in her sleep in a senior
home. Her health had been deteriorating, and while none of us knew that she
would soon leave us, she seemed to know. She seemed to be telling us goodbye in
her own subtle way. Although her body gave out, her mind remained sharp until the
end, just like my mom's.
After the funeral, one of my cousins, Bat-Sheva
Peli Seri, told me that Savtah (grandmother
in Hebrew) had asked her, “What do I call you?”
My cousin had shrugged.
And Savtah had replied, “I call you Mamaleh (little mother), because you were named after my mother.”
It was true. Four of us are named after my
great-grandmother Bat-Sheva, and my Savtah used to call all four of us Mamaleh. Telling my cousin the reason why was her little way of
telling the four of us that no one we love ever leaves us, that the great-grandmother she
loved stayed with her through us, and that she would stay with us, too, in our
memories and our hearts.
But the final domino in that line of memories was
set into action by something else.
On the way up to my Savtah's funeral, I looked at the
houses on the side of the road, and I saw something shocking: some of the
stones in the walls of the houses had Hebrew letters chiseled into them.
They were gravestones.
Someone
had stolen gravestones from the Mount of Olives and had used them to build
a house. And this wasn’t just one house. House after house in this little Arabic
village in East Jerusalem had Jewish gravestones in their walls, each
gravestone carrying the name of someone who was buried on the Mount of Olives,
someone who had been loved and cared for, someone who now had an unmarked grave,
because someone else wanted to erase the fact that they had ever lived at all.
Many of my ancestors are buried on the Mount of
Olives, but their story is different, and it’s because of my Savtah Rivka and a
kind soul who never forgot a kindness done to him.
I’ve already told you the story of my mother’s first
memory, how she was just a toddler on a bus in British Mandate Palestine when
she heard Arabic cries of “Slaughter the Jews!”
The Arab riots continued until Jewish night squads,
led by a British Christian officer by the name of Wingate, put a stop to them. But
before they ended, some Jews who couldn't take it anymore eventually formed angry mobs
determined to return blows for blows. Just like the Arabic rioters didn’t care who
they attacked so long as the person was Jewish, the Jewish mobs didn’t care
who they attacked so long as they were Muslim men.
My grandfather was a respected rabbi who had a good
relationship with his Arabic neighbors.
Before every Passover, he would sell his
community’s chametz (bread, crackers,
and other things that aren’t kosher for Passover) to a nearby sheik; and after Passover,
when he bought the chametz back, the
sheik would send my mother's family a silver tray piled high with bread and rolls.
My
grandfather also had an Arabic man who worked for him, taking care of things
that Jews aren’t allowed to do on the Sabbath. I asked my mother what this man’s name was, but she didn’t
remember, understandably, considering he had worked for her father when she was
very little. She said it might have been Ahmad, so I’ll call him that for storytelling
purposes. It’s shorter than saying, “the man who worked for my grandfather.”
One day, the
Jews in the streets were in a panic. There had been another riot in Jerusalem’s Old
City. Arabic cries of “Slaughter the Jews!” were being met with Hebrew cries of
“Death to the Arabs!” It was a very dangerous time.
Ahmad had been working that day at my grandfather’s
synagogue, and he was terrified. How could he return home? The angry Jews in
the streets would kill him!
“Don’t worry,” my grandfather said. “You can borrow
my clothes and hat. They won’t kill a rabbi.”
Ahmad seemed apprehensive. While it was true the
disguise could save him from the angry Jews, what would happen once he reached
his own neighborhood? How would they react to this rabbi in their midst?
“No,” my Savtah said. “Ahmad, you can take my clothes.”
She went to her closet and pulled out a dress, a
coat, and a woman’s head scarf. Ahmad put the clothes on and wrapped the scarf around his head and face.
Disguised as a woman, he headed out into the dangerous
streets, never to return.
My grandparents worried about Ahmed, of course. He
had worked for my grandfather for years, and they didn’t know what had happened
to him. Had he made it safely home? They wanted to believe that he had, but
there was no way to be certain.
Several years later, the British left Palestine. The
Arabic countries in the region and beyond united to drive the Jews out, but the Jews
fought back. When it was over, Jerusalem was divided. My parents’ families were
on the western side of the city, which was in the hands of the newly formed state of
Israel, while Ahmed and the Mount of Olives were on the eastern side, which was
in Jordanian hands. Between 1948-1967, robbers stole Jewish gravestones from the Mount of
Olives. They used them to build houses, like the ones I
had seen from the backseat of a car heading up to my grandmother’s funeral.
![]() |
My grandmother, Rivka Hacohen, probably in the 1960s |
Following the Six Day War in 1967, Jerusalem was
reunited once more, and Jews could once again visit the ancient Jewish cemetery on the
Mount of Olives. So my grandmother went to visit her father and her
grandparents’ graves, something she couldn't do for close to 20 years.
I imagine her journey was much like mine. I imagine
she, too, was horrified to see those desecrated gravestones in the walls of the houses she passed on her way up. She must have
wondered what she wouldn’t find once she reached the Mount of Olives. Would she
be able to locate the places where her grandparents and father were buried? Or
would she never know because of the workings of some heartless thief?
She reached the Mount of Olives, and who should meet
her there but Ahmed!
They both cried tears of joy, so happy they were to find
each other alive after all they had been through.
But that wasn’t all . . .
“Come, Miss Rivka, come!” he said in Arabic. My
Savtah was multi-lingual, so there was no need for him to struggle in another
language. He ran up the hill and
directed her to follow him.
And amazingly he led her to her father’s gravestone. It was still there!
“I’ve taken care of all of them,” he said, pointing
to her grandparents’ gravestones. “I made sure no one would disturb them.”
They say the greatest mitzvah (good deed) is one performed for someone who cannot repay you. If that is true, Ahmed’s act was possibly one of the greatest mitzvahs
anyone has ever performed.
How could he possibly know that he would ever see my
Savtah—the woman whose generosity had helped me return safely home—again? How could he possibly know that she would ever be able to visit
her father and her grandparents’ gravesites again?
Here he had performed this
selfless act for almost 20 years with no way of knowing that anyone alive would ever
benefit from it.
And that is the final memory domino in that line of
memory dominos: the reason why it’s still possible to find my great-great-grandparents’
and my great-grandfather’s graves on the Mount of Olives.
Perhaps it shows no good
deed is ever wasted. Or perhaps it shows that even if we think it will be wasted, we
have to try anyway, because you never know.
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