Me Write Funny Someday—how to add humor to your writing (part 1)

Would you like to add humor to your writing? I'm guessing the answer is yes. Humor adds so much, whether your aim is to write something altogether funny, pique a reader's interest with humor, create a comic interlude to give readers a break between more dramatic scenes, or use humor to contrast with dark and perhaps scary scenes in a way that brings the darkness in your story out even more.

I've used humor to do all of these, as a political cartoonist, arts-and-entertainment writer, consumer columnist, and a writer of a variety of books for kids and teens: everything from funny picture books and illustrated novels for middle graders to an epic fantasy about a magical storyteller, a romantic YA ghost story, and a novel about a super geek turned into a reluctant vampire.

To do this, I used a formula that I invented during the seven years I was a political cartoonist. Back then, I had to come up with four to eight cartoons a week--usually written on the same day, so my cartoons would be timely. Since then, this formula has not only helped me add humor to my writing; it's helped me come up with an endless supply of story ideas.

So how does it work?
 

Shevi’s House of Funny formula for creating humor


The House of Funny formula is comprised of three Ss:

Setup+Surprise+Sense=Humor

The setup can be anything you want to be. In this case, it's whatever you want to make funny or add humor to. The setup creates an expectation, and the surprise comes from taking the setup in a completely unexpected direction.

Therefore, if you want to add humor to your writing, you have to work out what the reader will expect--and then you have to take your story in a completely different, unexpected direction. Not only will this add humor to your writing--it will let you create something that stands out from the crowd, something unexpected and new, something readers haven’t seen before. It will give your writing the "Wow" factor everyone is looking for.


Will any kind of surprise do?
 
Well, no. To fit the House of Funny formula, the surprise has to make sense on some level. Otherwise, it's just funny weird, not funny ha ha. We laugh at a joke because we "get it"--and we can't get it if it doesn't make sense!

Also, as I mentioned in my first video on the topic, while other comedy experts see pain as an essential element in comedy, I see it as a comedy killer.

Of course, some audiences have a much higher pain threshold than others, so you have to know your audience. Will they be surprised by your surprise, able to make sense of your logic, and accept any pain that may be a part of your joke? If so, you have all the ingredients for humor.

So how do I creates that surprise?

Great question! I'm glad you asked. (Okay, technically I'm the one who asked. But it's still a great question.)  The answer is rather complicated, so we’ll be looking at that in my next blog post. 

Kate Micucci from Garfunkel and Oates makes me smile

How I learned to stop worrying and love the e-book

I know my friends mean well when they tell me that an agent and a book deal are right around the corner. Every writer wants to be traditionally published, right? Every writer wants to see his or her book with a Random House or Simon & Schuster logo on the spine, right? And that’s what I’ve been working toward these last nine years. That’s the reason I’ve written seven middle-grade and YA novels, the reason I attended all those writers conferences, the reason I’ve entered contests, and the reason I’ve submitted my manuscripts to agents. I’m getting so close. Why would I want to give up all I’ve worked so hard for when I’m so close to getting it?  

The assumption is that traditional publishing is the real deal and self-publishing is for writers who couldn’t make it any other way. But I’m not a big fan of assumptions. I like to examine things more closely and from different perspectives. So let’s take a closer look at how traditional publishing stacks up against indie publishing today.

	Traditional Publishing	Indie E-Publishing
How long does it take?	According to a survey conducted by SF writer Jim C. Hines, it takes the average writer ten years to get a first novel published. http://www.jimchines.com/2010/03/survey-results/	This works according to Parkinson’s Law, which states that work expands to fill the amount of time allotted to it. Three months to a year is about right.
How much does it cost?	That depends on how much you want to invest. There are the basic expenses of mailing dozens of query packages over ten years, but most successful writers also invest in conferences, which cost hundreds to thousands of dollars. Some writers also take MFAs, which generally cost over $10,000.	Again, it depends on how much an author wants to invest. Basic expenses include books on writing and publishing, copyright registration, an editor, and a professionally designed cover. Total expenses usually run $200-$1,000.
How big of an advance can a writer expect to get?	According to a survey conducted by SF writer Tobias S. Buckell, the median first-time author advance is about $5,000. Combine that with the above survey, and that means the average writer earns $500 a year for the first ten years of his career: http://www.tobiasbuckell.com/2005/10/05/author-advance-survey-version-20/	Indie Publishers don’t get an advance, and they do have to spend money to publish their books.
What about royalties?	A traditionally published author earns royalties once his or her book has earned out its advance. That doesn't sound too bad...except when one considers the majority of books by first-time authors don't earn back their advance. What's even more alarming, is that, according to research conducted by writer Kris Rusch, publishers--including some of the big six--are under-reporting ebook sales. So even if your book is selling enough to earn back your advance, you might never know it: http://kriswrites.com/2011/04/20/the-business-rusch-royalty-statements-update/	This depends on the writer’s abilities as a writer and as a marketer, but consider this: in ten years, an indie publisher can easily produce five ebooks, and if he sells them at $2.99 each (which would earn $2 for every copy sold), he only needs to sell 500 copies on average per book over a ten year period to make up the money he didn’t get from an advance.
What about a second book?	According to editor Alan Rinzler, 80-90% of books don’t earn out their advance, which means that’s all an author gets--and it means an author will have a doubly hard time finding a publisher for a second book: http://www.alanrinzler.com/blog/2011/06/05/good-day-sunshine-for-writers/	Indie publishers usually build an audience, which means they generally make more money the more books they have out. One unsuccessful book doesn’t put an end to an indie publisher’s career. He can always try, try again--with a different book or even the same book.
What about editing?	According to Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print by Renni Browne and Dave King, “first-time authors are being printed rather than published—assuming they’re fortunate enough to get a publishing contract in the first place.... An acquisitions editor who signs up fifteen or twenty books a year couldn’t possibly edit them all...”	Most smart indie publishers hire editors. This costs money, but at least indies can shop around. They choose who they’re going to work with, and they have the final say. You can’t fire your editor at a traditional publishing house, but you can fire a freelance editor who works for you.
What about cover and interior design?	The publishing house chooses your cover based on their knowledge of the market and sometimes other factors (including a cheaper royalty-free cover). Authors may or may not be happy with the results, but they have no say. Brunettes have been turned into blondes. African-American protagonists have been portrayed on covers as white. Sometimes writers have had to rewrite scenes to fit cover images.	The cover is perhaps the most important thing an indie publisher can invest in. Some designers sell halfway decent covers for under $50, but most good ones go for $300 and up. It’s a good idea to start with something cheaper and then change it when you’ve made enough to justify the expense. Again, if you’re self-publishing, the choice is yours.
What about marketing?	Most publishers today expect most first-time novelists to do their own publicity. Those big advertising budgets are for writers who have already made the bestseller lists. You get a book launch, maybe a book signing or two, and a dozen or so review copies to mail out. Otherwise you’re basically on your own.	Like a traditionally published writer, this is mostly in your own hands. Your one advantage here is that you know it.
What about getting your book into brick-and-mortar bookstores? And what about Amazon?	A big publisher does have an easier time getting your book into brick-and-mortar stores, however...You might not have noticed, but brick-and-mortar bookstores are closing at an alarming rate. In addition, new books usually only stay on the shelf for a few months before they’re remaindered. After that, your book is the same boat as one that was self-published---unless your book goes out-of-print, in which case, it’s at a disadvantage. Your access to Amazon is pretty much the same, except that the publisher will probably act on your behalf. Again, it’s not in your hands.	For a small additional fee (about $50), most POD printers can make your book available to brick-and-mortar bookstores that ask for them, whenever they ask for them. It can never go out-of-print. You can sell your book through Amazon, and what goes on your book’s page (with the exception of reviews and comments) is in your hands.
What about reviews?	Big publishers usually have access to more print reviewers than indie publishers do, but that doesn’t guarantee your book will be reviewed in the New York Times. And even if it is, that doesn’t guarantee the review will be positive or that it will lead to sales. Print newspapers are fading even faster than brick-and-mortar bookstores. They still matter, but not as much as word of mouth and social media marketing.	When it comes to marketing, indie publishers usually focus on social media. A dozen glowing reviews from real people with real names on Amazon--or people saying nice things about your book on Twitter--will probably boost your book sales more than a great review from a print newspaper.
What about ebooks?	Traditional publishers usually charge $9.99 (the maximum Amazon allows in the 70% royalty range) for ebooks, because they don’t want ebooks to undercut their hardcover sales. Authors, however, usually only make about 15% of that. There is a very slim chance your publisher will invest heavily in marketing your ebook (they do that for bestsellers), so your $9.99 ebook will probably have to compete with similar indie-published books that cost a lot less than yours. In some categories, the indies are winning hands down. Recently, only one of the top ten Science-Fiction novels on Kindle was traditionally published--and it was a decades-old classic, Ender’s Game. In short, the competition is fierce, and this is one you're very unlikely to win. Amazon claims to sell more ebooks than books in any other format, so this is a major loss for the traditionally published writer who isn't a bestseller.	Indie publishers can charge less for ebooks and still make money, not only because their expenses are low and they can put out as many books as they can write in any given length of time, but because ebooks--when done right--should be their primary money maker. They can make $2 of pure profit for every ebook copy sold at $2.99. That’s 25% more than a traditionally published author whose ebook sells for $9.99.

So to all my friends, thank you for your kind words, but I didn’t give up my goal of finding an agent and a publisher because I lost faith in myself; I did it because I lost faith in the traditional publishing industry and because I truly believe in my work and my vision for it.

Thank you for believing in it too.

How to Blog Like a Funny, Children’s Book, YA, Fantasy, Science Fiction Writer

If anyone should have a blog, it’s a writer. Words are our livelihood, and a blog is like free advertising for what we do. Who wouldn’t want to advertise his or her business to possible clients all over the world for free? And, from the point of view of a reader, I'd much rather read a blog written by someone who can write than by someone who can't. Wouldn't you agree?

But it seems that many writers don’t blog, and those that do rarely blog effectively.

I get it. Making up stories about made up people is fun. But blogging can seem kind of scary. What do you write about? How will you make it interesting? Will people read it? And sometimes it feels as if you’ve been blogging for what seems like forever, you’ve spent hours writing dozens of posts, and no one cares.  Isn't blogging a waste of time that you could be spending writing your next book?

Well, no. It’s hard work, and it can take several years to see results, but it does eventually pay off if you do it right. If you're unpublished, blogging can impress agents and editors by showing you have a platform, as in thousands of people who are interested in what you have to say. And if you're published--whether traditionally or as an indie publisher--it can help you connect with readers, which can help you sell books. So how exactly do you do it right?

Here is a list of some questions many writers have about blogging and some answers to these questions:

How do I attract readers to my blog?

Start by writing 10-15 pillar articles. According to ProBlogger: Secrets for Blogging Your Way to a Six-Figure Income by Darren Rowse and Chriss Garrett, a pillar article is an article that attracts readers to your blog by giving them something they’re looking for. Pillar articles need to be focused on the core topic of your blog. They need to be useful or entertaining. The best pillar articles are 500-1,000-words long, have short paragraphs, headers, sub-headers, and at least one graphic. Lists and step-by-step guides make great pillar articles.

So how does this work for a writer?

 

According to We Are Not Alone: The Writer's Guide to Social Mediaby Kristen Lamb, if you’re writing nonfiction, your pillar articles should be authoritative. Readers will come to you looking for answers, and your blog will give them those answers.

If you’re a fiction writer, though, readers will probably look to you more for entertainment than information. A fiction writer’s best pillar articles should encourage comments and discussion. They should offer readers a way to connect with the writer, because that connection sells books. One of the best ways to encourage feedback is by starting with a title that asks a question. For example, “Who has the last word when it comes to children’s books: writers, publishers, parents or kids?” Of course, a writer should be prepared for some lively debate, because not everyone will agree with what the writer has to say.

How do pillar articles attract readers?

Search engines look for keywords in your tags (or labels), title, and your content. That’s why it’s important to have a list of keywords that fit the topic of your blog and to use them in these areas, particularly in your titles and in the first few words of your articles.

How do I get readers to come back to my blog?

Entertaining or useful content keeps readers coming back, so make sure there’s always fresh, entertaining or useful content. Try to blog between once a day and once a week (three to five times a week is good), but don’t say something just to say something. Good content once a week is better than good content once a week along with bad content three times a week.  Be consistent, and stay on topic, so readers know what to expect. For example, I regularly check out Dave Barry's blog, because I know it's going to be funny.

It usually takes years for a good blog to get up to speed, so don’t get discouraged if you don’t see results right away. Stick with it. Stay positive, and be nice to your readers. People usually like to hang around other people who make them feel good. Don’t polarize your readers, unless that’s a part of your brand and your marketing strategy.

How do I choose the general topic for my blog?

That depends on the image you want to create. Fill in the blank, “I want to be the writer readers turn to when they’re looking for________________.”

What would you put at the end of that sentence? Excitement? Something to make them laugh? Romance? Fantasy? Science Fiction? Inspiration? A best friend who understands them? A story they can share with their kids? All of the above?

Use your posts to give visitor a taste of what you have to offer. If you write humor (like I do), your blog posts should have some humor. If you write romance, you might want to spice things up a bit. It couldn’t hurt. Write about your books, but not just your books. Always write in a way that serves your visitor first, not your own ends.

How do I come up with specific topics?

Keywords help search engines find articles on a certain topic, so start by making a list. You want 20 core keywords that you’ll use over and over in your blog posts, words a reader might type into a search engine to look for a writer like you, words that define who you are as a writer. Start by writing down as many as you can think of, and then highlight the top 20. Why 20? This is the maximum number of keywords that Blogger (or Blogspot) allows on a blog post. While you might use a different platform, it’s still a good number to stick to, because it will keep your blog more focused.

Here’s my list of keywords to give you an idea of what yours might look like:

Shevi Arnold, novelist, writer, author, teen, YA fiction, children’s books, funny, humor, comedy, geek, ebooks, fantasy, science fiction, stories, storyteller, magic, dreamer, publisher, imagination.

This doesn’t mean that all my blog posts will have all these tags or they won’t sometimes have very different tags, but these are the tags I want to use most often to help search engines (and potential readers) find my blog. Combine these keywords, and you’ll get an idea of who I am (writer, author, storyteller), what I write (children’s books, YA fiction, humor, fantasy and science fiction), and my general style and attitude (funny, geek, dreamer).

How do I turn my keywords into 10-15 pillar articles?

The purpose of your pillar articles is to give your visitors something that will make them happy they came to your blog—and a reason to come back again. Pillar articles also help visitors create an image of you, something they think of when they see your name. Look at your keywords, and ask yourself what you can give visitors. Is there something you know that visitors might not know but would love to? Are there questions you used to have that you’ve since discovered the answers to? What matters to you, and how does that relate to your readers? Do your readers feel deeply about the same things, and could that shared feeling connect you and your readers? These are the kinds of things that would make great pillar topics for your blog.

As an example, here’s a list of some of the ideas I’ve had for pillar articles, ones that fit my expertise and the image I’m trying to create:

1.       Where do you get your ideas? How you, too, can have more stories concepts than you know what to do with

2.       Me Write Funny Someday—how to add humor to your writing

3.       Let ‘em read comics! If you want to turn kids into readers, let them read what they want to read.

4.       Who let the grownups in here? Why adults are falling in love with YA and books for kids.

5.       Let the meek inherit the earth. The geeks will inherit the stars! How geeks are taking over the world (and why that’s a good thing)

6.       Ten great fantasy novels for girls

7.       If you can’t beat ‘em, study ‘em! What writers can learn from movies and other forms of storytelling

8.       The ten biggest mistakes aspiring YA novelists make (and how to avoid them)

9.       The five best books to read if you want to write fiction

10.   The one most important thing every aspiring children’s book or YA writer should know…

11.   Why fantasy is the most honest genre of all

12.   Why are there so few funny books for teens?

13.   Stories within stories: from Scheherazade to Toren

14.   Is the magic in Harry Potter real after all?

15.   The power of belief, and what this means to fiction writers

 

Is there anything else I can do to attract readers to my blog?

Lots! You can include your blog’s URL in the signature of your emails, post on other blogs or in forums and use your avatar link back to your blog, give your blog an easy to remember name and a great description, guest blog for others, link to other blogs, and so much more. We Are Not Alone: The Writer's Guide to Social Media has a great list of ways writers can make social media work for them.

I haven't always done this blogging thing right, but I'm learning, and I'm trying to put what I've learned into practice.  It's never too late to change.

So will your blog give your readers?

Writers, how to make social media work for you

So after reading Author 101: Bestselling Secrets from Top Agents, I came to the conclusion I needed to work on my blog if I wanted to sell my books. Easier said than done.

Not knowing how to go about it, I picked up Zoe Winter's wonderfully informative Smart Self-Publishing: Becoming an Indie Author. While the book deals mostly with indie publishing--including publishing to Kindle, working with Smashwords, creating both a production and marketing schedule, and much more--it did include a brief overview of social media for writers, including the importance of having a blog to connect with readers. Zoe Winters also recommends starting a newsletter, because someone might subscribe to your blog and never look at it again, but people who subscribe to your newsletter genuinely want to read what you have to say (particularly if it involves freebies and contests, like her newsletter does).

So that led me to another wonderful book, ProBlogger: Secrets for Blogging Your Way to a Six-Figure Income, which has a ton of helpful information about successful blogging in general.

But I still didn't know how to apply what I had learned to my blog. I mean, I'm a fiction writer. I write books for kids and teens. Wasn't there a book that could tell me step-by-step how a fiction writer could use social media to increase his or her platform? Fortunately, there is.


The Best Social Media Guide Specifically for Writers

We Are Not Alone: The Writer's Guide to Social Media by Kristen Lamb is like having a smart, funny friend who will take you by the hand and show you exactly what you need to succeed and how to do it.

For example, about halfway through, the book has a recap with a list of the first things you will need:

• A brand name (the name that will appear on your book)
• A list of your goals divided into three categories:

1. Strategic Career Goals (where you want to be in five years) 
2. Strategic Marketing Goals (to create the image you want associated with your brand)
3. Ten Tactical Goals (the things you plan to do to achieve your publishing goals, like creating a blog and following the blogs of potential readers.)

• A collection of content material--like pictures and videos--to help support your brand
• 10-15 posts (500-1,000 words each) related to your topic to serve as strategic content
• Three bios of different lengths
• A detailed profile of your reader and consumer demographic

What each of these things are, why you need them, and how to make them work for you are covered in great detail, as is so much more.

For example, when it comes to your brand name, the author explains how important it is for it to be the same name as the one that will appear on your books--because even if you do all the right things when it comes to social media, no one will be able to find your book when they're looking for one written by @LemurLady27.

She also explains that your readers aren't your fellow writers (although you should still network with them) or people who read books like they're chewing gum. "Yup, that one's finished, now I think I'll try fruit flavored." Your readers are the people who generally don't read that much, but will read your book because you wrote it just for them. It's like the way Harry Potter made readers out of non-readers. That's your ultimate goal.

All of this is just the tip of the iceberg, so if you're a writer who's been frustrated by social media because you don't know where to start or why it's not going as you hoped, this is the book for you.

And now it's time for me to start working on those 10-15 articles for my strategic content. I have so many ideas I can't wait. Thanks, Kristen Lamb!

A writer's step-by-step plan for using social media

Social media is so confusing. Writers know it's important, but where do you start? Twitter? A blog? Facebook? What do you post? How often? And how does it help you sell your book?

I've read several wonderful books on the topic. Here's a rundown of their top tips:

Author 101: Bestselling Secrets from Top Agents by Rick Frishman and Robyn Freedman Spizman

The main thing I learned from Author 101: Bestselling Secrets from Top Agents is that a writer needs a platform. It doesn't matter if you write nonfiction or fiction, it's all about your platform. So what's a platform? There are actually two kinds (three if you consider that Facebook or Twitter are also platforms, but this refers to a writer's platform).

The first kind of platform is how readers think of you when they think of you. For example, Isaac Asimov will always be known as a science fiction writer, even though he wrote many books that weren't science fiction. J.K. Rowling will forever be identified with Harry Potter. J.R.R. Tolkien will always be remembered for The Hobbit and The Lord of the Rings. Maybe in the future, I'll be known as the writer of Toren the Teller or Gilbert the Fixer. But for now, my platform is that I'm a funny writer, a Geek Goddess, and the author of humorous fiction, fantasy and science fiction for kids and teens. I also have a reputation for helping other writers out.

The second kind of platform is made up of the number of Twitter followers, Facebook fans, blog subscribers, and so on that you have. If you want an agent in today's publishing environment, you're going to need this kind of platform--but how do you get it? That part wasn't so clear, so I kept looking.

Smart Self--Publishing: Becoming an Indie Author by Zoe Winters

Smart Self-Publishing: Becoming an Indie Author is chock full of information and useful advice, both for self-publishers and traditionally published authors. While the author writes about the things that worked for her, she does acknowledge that other authors have succeeded with things that didn't, and you may succeed with them too. This sets this book apart from almost every other book I've read on self-publishing, which have gone on and on about why you should e-publish and how much success the author had as an indie publisher.

You'll learn why you need a newsletter, where you can create one, and what you should and shouldn't put in yours; working out a marketing schedule and a marketing plat; why you need to set both short-term and long-term goals, and what those goals can be; self-editing, critique groups, and hiring a freelance editor; what kind of prizes lead to more sales (and what kind don't); and all aspects of marketing, from social networking, blogs and blog hopping to marketing with video and paid advertising when you've earned enough to afford it.

This is one of the most helpful books I've read on self-publishing, and I highly recommend it.

Still, even though it talked a lot about the importance of blogging for writers, I still didn't feel I had enough of a grasp on the details. Yes, it mentioned that it's a good idea to post several times a week, but what good is that if no one is checking out your blog? How do you get people to give your blog a glance? And then a second glance? And then maybe subscribe? So I went looking for another book on the details, and I found a great one.

ProBlogger: Secrets for Blogging Your Way to a Six-Figure Income by Darren Rowse and Chris Garret

Although it's not writer specific, I found ProBlogger: Secrets for Blogging Your Way to a Six-Figure Income invaluable for the depth of information it contains about successful blogging.

There are two ways to make money blogging: either by selling advertising space, or by using your blog to promote your work, for example, as a freelance writer or editor. I went through the book with a highlighter, and I ended up highlighting something on every other page.

I even put stars near some things I found particular helpful. For example, there's a list of question to ask yourself to help you better understand your target audience. There's also a section on useful blog properties, and another wish suggestions for how you can create useful blog content. It was great.

We Are Not Alone: The Writer's Guide to Social Media by Kristen Lamb

 Of course, at this point, I had learned so much I felt like my head might explode. I needed one book to help me tie it all together, and luckily I found it in We Are Not Alone: The Writer's Guide to Social Media.

This book is awesome! And in my next blog post, I'll tell you why.

Meanwhile, if you have any questions about social media for writers, please feel free to ask them in the comments section below. I'll do my best to answer them if I can.       

You think it's just an innocent social network, but is Facebook really...?

This is the funniest thing I've seen yet from The Onion. Great job!

How do you create a brand when your favorite color is rainbow?

Since I've decided to e-publish my own work, I've been reading many books on successful self-publishing, like Smart Self-Publishing: Becoming an Indie Author, and marketing, like ProBlogger: Secrets for Blogging Your Way to a Six-Figure Income and Author 101: Bestselling Secrets from Top Agents. Nowadays it's all about platforms and branding, which are basically nice, tidy little boxes readers can put writers in, so they know what to expect when they buy one of that writer's books or check out her blog.

That's all very well and good for someone who just writes picture books, romantic ghost stories for teens, illustrated books for middle graders, epic fantasy for girls, or funny, geeky ironic-vampire Science-Fiction novels. But what do you do if you write all of that and more?

Ask me what my favorite color is, and I'll tell you it's rainbow. It's not that I'm indecisive and can't choose a favorite color. I honestly like a variety of colors at the same time. Blue is nice. Red is nice. Pink is nice. Yellow is nice. Green is nice. Purple is nice. But I wouldn't buy a painting that was all one color, and I wouldn't want to paint something that was all one color. That's a wall, not a work of art.

So how does a writer create a brand when her favorite color is rainbow? How can I help you stick me in a nice, tidy box so you can know what to expect when you visit my blog or buy one of my books? I've been puzzling over this question for the last few weeks, and it wasn't until this morning that I came up with the answer: the rainbow is my brand.

And in that rainbow you'll find a variety of colors like none you've ever seen before. Colors to entertain and inspire. Colors to make you laugh, think, dream, fall in love, and embrace your inner magic or your inner geek.

 Welcome to my new blog. Welcome to the wonderful rainbow made up of my many mixed-up worlds.

70 best romantic comedy movies

The Princess Bride is my all-time favorite movie, but I love romantic comedies in general. Here's a list of 70 romantic comedies I've loved. Are your favorites on the list?
The Princess Bride
French Kiss
Pretty Woman
Benny and Joon
When Harry Met Sally

Moonstruck
Fever Pitch
Pitch Fever
Bridget Jones
Bridget Jones: The Edge of Reason
Jerry Maguire
Don Juan DeMarco
The Goodby Girl
Someone Like You
Educating Rita
Green Card
IQ
Sleepless in Seattle
Runaway Bride
For Love or Money
Maid in Manhattan
The Wedding Planner
Notting Hill
He's Just Not That Into You
Keeping the Faith
Four Weddings and a Funeral
Raising Arizona
Dan in REal Life
The Holiday
The Secret of My Success
Victor/Victoria
Addicted to Love
The Addams Family
Arthur
Spanglish
About a Boy
She's Out of My League
The Ugly Truth
The Proposal
Confessions of a Shopaholic
Tootsie
Hairspray
The Truth about Cats and Dogs
Shirley Valentine
Father of the Bride
The Accidental Hero
Local Hero
When in Rome
Leap Year
Fools Rush In
Must Love Dogs
Music and Lyrics
You've Got Mail
Serendipity
Gregory's Girl
Enchanted
Definitely, Maybe
Run, Fat Boy, Run
Roxanne
Mrs. Winterbourne
While You Were Sleeping
A Fish Called Wanda
Splash
Housesitter
Seems Like Old Times
Ghost Town
Morning Glory
I'll Be There
Never Been Kissed
She's the Man

Episode 2--"What's So Funny?"

'

What's so funny? In a word: everything! Anything you can think of can be the setup for your humor. The only question is "What do you want humor to do for you?"