Yes, a writer needs questions. You simply can't do without them.
But why?
Keep reading, and I’ll tell you.
I once worked
under an arts-and-entertainment editor who gave me this classic piece of
newspaper advice: “Tell ‘em. Then tell ‘em. Then tell ‘em again!”
I knew what
she meant. I had already learned about the journalism pyramid. You start with
maybe one sentence that says what your article is about. Your second paragraph
says what it’s about, but says more about it. Your final paragraphs go into more
detail about the topic of your article. You tell ‘em about the topic of your
article. Then you tell ‘em. Then you tell ‘em again. The reader gets the gist
of the entire article in that first sentence. The rest is just the same thing
in greater and greater depth. If you just want the headline, you’ll stop
reading there. And if the headline grabs you, you’ll continue reading until you’ve
reached the depth you’re looking for.
A classic
piece of journalism advice, but the more I looked at it, the more I realized
that format that worked so well for news didn’t quite work for feature stories.
People read
the first pages of the newspaper to be informed, but when they read the
magazine or the features section, they read less to be informed and more to be
entertained. If you tell ‘em once at the very start what the feature piece is
about, readers have no real reason to read the rest of the article. No, I decided.
I need to find some other way to get readers to keep reading.
So I came up
with my own rule: hook ‘em. Then hook ‘em. Then hook ‘em again!”
And it
worked! Readers liked my feature articles, and I won praise and respect from my
editors. In a short time I worked my way up from being a freelance
arts-and-entertainment writer to the newspaper’s consumer columnist. I had two
pages in the magazine, and another half a page in the middle of the week. Readers like
to be hooked. I guess you could say we’re hooked on it.
But what exactly is a hook? And how do you hook ‘em again and again?
A hook is
something in your story that grabs your reader and makes that reader want to
keep reading. For example, if I start a book with the main character lying in
bed wondering if he’s going to die by morning—and if that’s not the worst thing
that could happen to him over the next few hours—that’s a pretty good hook.
In the beginning of Why My Love Life Sucks(The Legend of Gilbert the Fixer,book one) the reader has to keep reading to find out what’s going to happen next. And that is a hook.
Basically, a hook is a
question the writer plants in the reader’s mind, a question the reader won’t
know the answer to unless the reader keeps reading. It can be written as a question. The first words of Toren theTeller’s Tale are “Who are you?” It takes the rest of the book to get a
complete answer, and it is a doozy. But it doesn’t have to be spelled out like
that. In most novels and short stories, the hook is a conflict or problem the audience
wants to see resolved. Will Cinderella escape life with her cruel stepmother and
stepsisters? Will the Light Side defeat the Dark Side? Will Gilbert get turned into a vampire, and why did a gorgeous girl who could have any guy she wants pick this extreme geek, anyway? You won't know the answer unless you keep reading.
Some writer
once said that every novel is a mystery, and that’s true. The writer plants a
question in the reader’s mind on the first page, and the reader has to keep
reading to discover the answer to the question and solve the mystery. If the
mystery isn’t solved by the end, the writer has broken the unwritten author-reader
contract, a contract that basically says that if the writer plants a question
in the reader’s mind at the start, the writer will provide the answer to that
question by the book’s end. All important questions will be answered. All
important matters will be resolved. It might not be a happy ending, but it will
be a resolution. It's vital that the author fulfil his or her part of the contract.
Hook ‘em.
Then hook ‘em. Then hook ‘em again works with pretty much any piece of writing
that isn’t news and isn’t meant to be boring. Just plant those questions in
your reader’s mind, and watch how your reader gets hooked.
So why does a writer need questions? Are you still here?
Well, I
guess that's your answer.
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