Writing Words for Nerds #AtoZChallenge--C is for Creating Characters

Anyone can write a story. 

It's true, and if you've ever played pretend or with dolls or action figures when you were little, you know it. 

Illustration:  © Shevi Arnold, 2003

Unfortunately, many of us lose that ability when we turn into adults. 

So how do we get it back? How can creating characters and plots become easy again? 

There are two ways to write a story: you can create a plot based on a character, or you can create characters based on a plot. Like a noun and a verb are required in every complete independent sentence, a character and a plot are required in every complete independent story. If you have one without the other, you might have a vignette. What you don’t have is a story.

So how do you create a character out of a plot?

And how do you create a plot out of a character?

For the first, take your plot and ask yourself who might have the greatest need to do the things the plot requires and the hardest time doing them. Need and obstacles to achieving the thing that’s needed are great hooks. When a character has both, the reader will need to see if the character gets what he or she needs, and the reader will need to find out how the character will try to overcome those obstacles. It’s as simple as that.

For example, our plot is that someone has been murdered and someone else will figure out who did it. Okay, so our main character is probably the person who needs to solve the murder mystery. But why? Maybe our main character is a detective, and it’s the MC’s job, but that’s been done a million times before. Let’s go for something original. Maybe this person is an astronaut on a space station, and the murdered person is the only other person on the space station. Hmm… That sounds too much like a 2001: A Space Odyssey. Let’s keep looking.  Maybe our main character is a kid who was taken from her foster home, and the murdered person is her abductor. She doesn’t know why she was abducted, if the murderer or the abductor were on her side, or even who she can trust. That’s good, because it’s original, the need is great, and there are a ton of obstacles. 

There are millions of possible characters we can create out of this simple plot. Maybe that’s why so many murder mysteries have been written.

For the second, take your character and ask yourself what he or she needs most. Then create a story around him or her having to overcome obstacles in order to get that need fulfilled.

For example, if you created the character of Harry Potter but didn’t know what the plot of his story would be, you’d see that his greatest need was “to have a family.” You’d then have to create obstacles for him, such as his parents having been murdered, him living in the wrong world for a magical boy, the Dursleys treating him like an outcast, his parents’ murderer wanting to destroy him, and so on. The plot would be all about Harry overcoming these obstacles to eventually create a new family, the one he has in the end with Ginny, Ron and Hermione.  

Is this the only possible plot for a story based on the character of Harry Potter? 

Of course not. However, if you have a clear and detailed idea of who your character is and what he or she needs, the best plot for that character should be fairly obvious: create obstacles for that character and watch him or her overcome those obstacles in a quest to fulfill that need.

But what if you don’t have what you need to even start creating a story? What if you don’t even have a plot or a character?

I’m reminding of something the great playwright Neil Simon said in his autobiographical book Rewrites (I’m paraphrasing): “Writer’s block isn’t when a writer has no ideas. It’s when a writer has so many ideas and doesn’t trust himself to choose the right one.”

The answer to that is to simply stop asking yourself what the right one is and just go for it, right or not. 

As in improv, your answer to any character or plot you think of should be “yes, and…”

Will it be the right one? Maybe, but probably not. The thing is, though, that if you keep answering “yes, and…” to every plot or character that pops into your head—and you keep showing the character trying desperately to overcome obstacles in a quest to achieve a great need—eventually you will discover the right one.  

And in the meanwhile, like a little kid who decides a stick is a sword and that means she’s an awesome pirate on an adventure, you’ll be having fun. 

An interview with a grown-up teen novelist: Michelle Izmaylov

What advice would you give to a teenager who wants to be a published author? 

This is complicated. On one hand, you have to be realistic about the challenges facing you in the future and realize that you’re not going to get famous in a single day. Thinking otherwise sets up unrealistic expectations that may cause writers to get disillusioned with the publishing process as a whole. On the other hand, it’s important to remember that you will improve and people will begin to take notice of your writing in the long run. My best advice is to try your very hardest and keep on trucking no matter who tries to get you down, but also be realistic about how difficult getting published can be. Also, don’t count on writing to be your primary career. Even published author almost always have an alternative job that pays the bills. Writing isn’t all that financially lucrative, though it’s good for your spiritual health.

Do you think entering contests is a good idea? If so, is there a contest you would particularly recommend that young writers enter? 

Yes and no. The trouble with contests is that on one hand you definitely increase opportunities for exposure of your writing. On the other hand, it’s easy to lose self-esteem if you lose at a young age. The best thing is to enter contests with realistic expectations and to keep striving to get better even if things don't work out.

What’s the hardest part of writing and publishing a book?

The most challenging aspect is two-fold. First, procrastination and getting easily distracted while writing is a major issue (especially with how readily available the Internet is these days). Second, and more seriously, is the issue of revision. It’s one thing to write a first draft. It’s an entirely different story to have the perseverance in editing your own work, going over and over until you iron out problems that may have cropped up along the way. It’s even harder to get halfway through a novel and realize you didn’t actually write what you wanted to write. At that point it’s important to step back and understand when it’s better to start over, not to mention having the willpower to do so.

To what do you attribute your success? 

There’s a general rule of thumb that says it takes 10,000 hours of practice to get good at any given thing. I'm still nowhere near as good as I hope to be another five or ten years down the road, but I've spend a good amount of time working on various writing projects over the years that have helped refine my abilities. I also feel like it’s important to be more than just “an author.” Writing is for me a hobby, not a job. It’s something I turn to when I have inspiration rather than something I force out of myself. 

What are the advantages and disadvantages of publishing at your age? 

One of the easiest advantages to pinpoint is that the younger you are, the more unusual it is for you to have actually completed a book. Therefore it’s easier to get public and media attention, which will in turn help get word out about your writing. On the other hand, younger writers (including myself at my present age) still have a lot to learn about the world as we refine our philosophical perspectives and have new experiences to add to our existing repertoire. The younger you are, the more challenging it is to write an unusual and well-crafted work honestly worthy of public attention.

What’s the single best piece of advice you've received? 

One of the things that’s always stuck with me is put your nose to the grindstone and work hard. Fairytales can come true, but not from wishing. You have to work hard every single day to make them reality, which is what I’ve tried to do these past years of my life.

Thanks, Michelle!

Michelle Izmaylov's latest novel, Ricochet, is available from Amazon. 

Interview with Simon Rose for the Children's Authors and Illustrators Facebook group

Simon Rose interviewed me for his Facebook group: Children's Authors and Illustrators. Hope you'll check it out:
https://www.facebook.com/groups/childrensauthorsandillustrators/permalink/484056924957178/